Monday, September 15, 2014

Brother-Sister Team Make Their First Movie: Interview with Jason and Amanda Barber



Tell us a bit about your backgrounds

Amanda: We grew up in several different places. We made our first move so Dad could go to Bible college. Dad pastored a couple of churches and even started one church before our Grandma suffered a severe stroke. At that point, we moved to Kalamazoo, MI to take care of her and Grandpa. We were there for ten years until our Grandpa passed away. Justin and I were homeschooled from Kindergarten through 12th grade. Justin began college prerequisites for nursing school in his senior year of high school. Instead of going to college right away, I started work at a family-owned business, Boonzaaijer Bakery. My experiences there with the regular customers that showed up the same time every week really influenced The Wednesday Morning Breakfast Club. After five years there, I began classes at a community college and got an Associates in Arts degree.


Tell us a bit about your faith journeys

Amanda: I made a confession of faith and was baptized when I was quite young. In my teens and early twenties, I went through a lot of doubts and questions about my faith. Had I been sincere? Did I really believe or was I just trying to please my parents? Was the Bible truly inerrant and inspired? How do I answer all those skeptics? All of these questions drove me to read the Bible and read a lot of books by people like C.S. Lewis, G.K. Chesterton, Josh McDowell and others. After several years of this, I was able to put my questions and doubts to rest and begin to enjoy my relationship with Christ. I am actually very thankful for the experience. Its given me a lot to write about. Case in point, my first novel The Pursuit of Elizabeth Millhouse. The best part is that Ive seen the things I write be a huge encouragement to other Christians who are struggling with the same kinds of things.

Justin: When I was a VERY little kid I made a simple profession of faith and followed in baptism a few years later. The only reason I followed in baptism was because the church we were going to at the time didnt let you partake of communion unless you were baptized. Needless to say, though I knew all the right answers my profession of faith was clearly not a heart matter. I went through periods of doubt and frequently asked God to save me just to make sure I was saved. Gradually I became involved in secret sins while keeping my good boy appearance at church. The fact that I shamelessly engaged in these sins without even a prick of the conscience nor a sense that I had offended my God finally began to bother me. I realized that I had not repented of my sin and I did not have a personal relationship with Christ. During a baptismal service I read through some of the testimonies of the people being baptized and I became so overwhelmed with a sense of guilt and conviction. I was not right with God. While sitting in the empty sanctuary after the baptism I confessed my sin and believed that Christ died for my sin for the first time. It was a rough few months after that because I realized for the first time that my life had to be transformed and the sins I engaged in before had to stop.

How did you get involved in scriptwriting/directing?

Amanda: When I first began to write, my only ambition was to write novels and short stories. But then Justin got extremely interested in filmmaking. Since I was a writer and he wasnt, it just made sense that I would write the scripts and he would direct/produce. When I started writing The Wednesday Morning Breakfast Club, I had no idea what I was doing. I sort of felt like I was stabbing in the dark. But, thankfully, I had already written my first novel and had years of practice writing my own stories. So, half the battle was already won. I knew what a good story looked like, and I had a great story idea that my Dad had given to me. So I plowed right in and hoped it would turn out okay!

Justin: I was always interested in film. From the age of 5... I dreamed of becoming an actor and playing heroes like Roy Rogers. Yeah, I was a bit different than most kids. I always liked the cowboys better than X-men, Batman, or Superman. When I got older I didnt really see a whole lot of future for making money as a filmmaker and I also didnt see a lot of opportunities for Christians to be involved in film. Also, my mindset was wrong about it for the majority of my growing up years because I wanted to be famous and have people look up to me. I wanted to be involved in film for only the glamour and entertainment of it. So, I put it aside as something that I would only do for fun in my early teen years and pursued getting trained in a profession that would actually make me money. In 2008 Fireproof came out. I watched it and was so convicted with the message that I almost cried my way through the whole movie (and Im not even married yet). I just didnt ever want my marriage to get to the point the main characters did. The message of that film did a work in my life beyond wanting to have a good marriage. I realized the influence and power of film and media. It struck me how that film and media had to this point been used predominantly for evil and was taking our country and churches down the road of destruction. At that point I decided that I would resurrect my passion for film with a new perspective. The very next year I met a fantastic Christian photographer named Seth Haley who's work enthralled me. I called him shortly after meeting him and asked him if he would ever consider getting into Christian filmmaking and transferring his talents in photography to cinematography. He had been thinking about that for some time and was very interested. So, we started making a bunch of little silly youtube films to exercise our skills. In 2011 I finally decided it was time to try our hand at a serious film project. I asked my Amanda to write a script. We only had a vague clue what in the world we were doing. In 2012 we shot The Wednesday Morning Breakfast Club. Even though the script was not properly formatted, it was filmed on only $2000 and all but one of our actors was completely amateur, I think God had grace on our final product. The result, though technically flawed at points, is a film that has touched many lives, and thats what I prayed we would be able to do. 



 This was your first film project. What did you learn from the process?

Amanda: Oh, my! I learned that making a film takes a lot of people and a lot of money. I also learned that unless the Lord builds the movie, we labor in vain. There were so many reasons for The Wednesday Morning Breakfast Club to fail, but it didn
t. God helped us and provided all of the things that we needed at just the right time.

Justin: The Wednesday Morning Breakfast Club was my first REAL project. I learned a whole lot! Wow. Lets seeI learned that we should have a bigger budget and that a bigger budget is not easy to get! We learned how to properly format a scriptdidnt know that before (which is why our plans for a 15 to 20min film ended up being a 49min film). I edited the film, so I learned so much about that process. The list is endless. There are so many things I hope to be able to do different in our next film. I think one of the best things we learned from this project is that we are capable of doing good workwe just need the budget and more people.   

Tell us what inspired the story of WMBC

Amanda:
The biggest inspirations for me were ten years living with and taking care of my Grandpa and the years I spent at Boonzaaijer Bakery. Those ten years living under the same roof with my Grandpa were not easy, especially the last two years. Once he lost his mobility due to a stroke, Grandpa could never be at home alone. Towards the end, we had to do everything for himfeeding, bathing and dressing. But the experience taught all of us so much. It taught us how selfish we naturally can be and how precious life is even when its contained in a frail, aging body. Also, I think for both me and Justin, seeing the elderly customers come in to the bakery from week to week on their appointed days made an impression on us. We tended to assume they would always be there. But then, one day, they didnt come in, and wed find out a few weeks later that they had passed away. I often realized how much I took life for granted. We should never do that, but its especially foolish to take our elderly friends for granted. They will be gone before we know it.

What are your thoughts about the way elders are treated in the U.S. and the state of relations among the generations today?

Amanda:
I think its sad that so many elderly people end up in nursing homes to wait for the end of their days. Most of these people spent eighteen-plus years raising children, and I think they deserve more than a nursing home from their children. Admittedly, not everyone can take care of their aging parents at home. Still, I think if we could put materialism and love of convenience to death in our lives, there would be fewer nursing and retirement homes in the U.S. 

I also believe people need to get out of the my age-group mentality. In other words, we would do ourselves a favor to cultivate friendships with people in all different stages of life. For instance, instead of leaving a church so you can find more people in your age group to socialize with, stay put and invest yourself in the people God has put in that church, whether they happen to be 9 years old or ninety-nine years old. Life is so rich when we do that, so less focused on self.

Justin: As it was mentioned before, I am a nurse and I work in an acute care setting. I am appalled by what I see in the best of nursing homes. I refuse to work in the nursing home setting, not because I dont love the elderly, but because I cannot provide the level of care that should be given. The situation is hopeless because of government controls. The majority receive most of the financial reimbursement from the government. The reimbursements are pitiful enough that an appropriate amount of staff cannot be hired or maintained. Its just a hopelessly broken system. You ask any nurse, doctor, or social worker if they would ever want to end up in a nursing home and youll get a decided, no way. Like my sister said I think we can do better than this for our parents. Its just going to take a complete culture/mindset shift to see this. 


What are your plans for the future?

Amanda: My hope is to eventually write more film scripts. Im working on Duke Street Productions next script right now. At this point in my life, writing only provides some of my living. I write part time and I teach music lessons part time. I would be very pleased if I could write full time and actually make a decent living from it.

Justin: We have enough script ideas to keep us busy for the next 20 years. I would love to work on all of them if God is willing to provide. Investorsif you are reading this article feel free to contact me! haha.




Wednesday, September 3, 2014

Interview with Richard Ramsey – Director of The Song.

 What is your background in media…where did you get your training…what have you done previously? How did you get connected with City on a Hill and The Song?

 
I actually started in theater. I had graduated with a theater degree, and I had aspirations to be an actor when a youth minister at my (then) church in Houston, Texas asked if I'd be interested in leading a drama program for some youth who were interested in theater and acting.

I reluctantly accepted, and when it came time to start choosing material for these students to perform, my wife (then girlfriend) and I decided to write our own material rather than select skits from what are typically very cheesy church drama books.

One year, for their church camp, we opted to do videos due to a lack of performance space, and that became a tradition every summer. As ultra-amateur as these videos were, they noticeably improved each year, and my passion for acting in theater began to shift toward writing and directing for film - particularly, because there was a conspicuous absence of quality plays or films written from a Christian point of view.

Eventually, my wife and I (married by this point) decided to try and put together a short film using professional actors whom we knew could handle more challenging material. We submitted that film to a festival, and that's where I met the staff of City On A Hill. We kept in touch for the next few years, and I joined them in 2008. I've done a number of projects with them since, and all of that has culminated in The Song.

 The Song is your first feature film. Was that a daunting fact as you approached this project? What was the learning curve?

 It really was daunting in the days leading up to production. I was getting nauseous, light-headed, and I could feel my fingers and my toes throbbing. I told someone on the production staff about it, and he said, "Just relax. You're surrounded by a lot of really talented people who really care about this project." And, that proved to be true. I think the jitters went away a few hours into the first day of shooting. There was a learning curve, of course, but I had done many short films and that, and even my theater background, proved very helpful.

 The process of creating City on a Hill productions begins with the teaching of Kyle Idleman. Was that the case with The Song? Are there challenges/advantages to this?

It was the case with The Song. We knew from the beginning that the film would be supplemented with a video series and print resources featuring excerpts from the film and Kyle's teaching on "The Song of Solomon." The biggest advantage to this is that, when you know the film will be accompanied by resources, you don't have to make the film itself so message-driven like so many Christian films are. You're considerably more free to be story-driven. I guess the challenges would include having to strike a balance between, on the one hand, the curriculum resources not feeling like an afterthought, which they're not, and on the other hand, the resources not feeling like the tail that wags the dog. Even though a "message" is the genesis of the project, you have to stay story-driven in order to make a good film.
  
 What was the driving artistic vision that guided how you shot The Song?

 As we were developing the script, it became apparent that this was a story about a man ultimately torn between two very different lives with two very different women in two very different worlds. So, I wanted to accentuate that in the design elements of the film. And, that included shooting. In most of the scenes with Rose, the shots are very stable – flowing dolly, steady cam, cam tram, etc. With Shelby, the vast majority of shots are handheld. As Shelby's world starts bleeding into Rose's world, the shots become more handheld and frenetic. Also, by nature of her occupation, Shelby is almost always in artificial lighting - interiors like airplanes, hotel rooms, dressing rooms, and concert venues. Rose, on the other hand, works at a vineyard. So, she's surrounded by life and natural light. And, we almost always backlit her. We would, whenever possible (which was often), stage scenes so that the sun was behind her.  

The Song features musical performances very prominently. Describe the choices you made in terms of the type of music used, the performances etc.


Having lifelong ties to Kentucky, I’ve always loved roots music. And, in recent years I’d become a fan of the Avett Brothers and other artists in the Americana genre. I’ve also noticed how God is an acceptable topic of discourse in this kind of music -one can sing about Christian themes, and mainstream audiences still dig it. Mumford & Sons is an excellent example of this. Also, audiences intuitively understand that music like this requires genuine skill and depth. So, once I settled on the idea of our modern day Solomon being a singer-songwriter, I thought this should be his genre.

We had a wonderful music producer, Vince Emmett, who had the experience and connections to get fantastic musicians. And, in a sense, I started directing the movie in the recording studio. Most of the songs had to be pre-recorded, but we wanted the vocal performances to really feel live and like they were birthed out of where the characters were emotionally in the story.

Since then, we've been able to add some icons from this genre to our soundtrack… new recordings and songs from Emmylou Harris, Ricky Skaggs, Roger McGuinn...and that's been a dream come true.

How do you hope the audience will be impacted by The Song?

Several things, but mainly I want audiences to take away from the film what Solomon wants readers to take away from Ecclesiastes: “Remember your Creator,” who is the only hope you have that life has any objective meaning, and “delight in the wife of your youth.”

Thursday, July 3, 2014

2014 ICVM Crown Awards



 BEST CHILDREN’S VIDEO


  GOLD CROWN AWARD


TORCHLIGHTERS:  THE CORRIE TEN BOOM STORY
Vision Video

Silver Crown Award


THE MIRACLE OF MOSES:  STEVIE’S TREK TO THE HOLY LAND
OR Productions

Bronze Crown Award

Whirl “Burt”
Sparkhouse

BEST COMEDY

GOLD CROWN AWARD


TIM HAWKINS GREATEST HITS & GREATEST BITS
Crown Entertainment

Silver Crown Award


BOB SMILEY MULLETS ON FIRE
Crown Entertainment

Bronze Crown Award

A STRANGE BRAND OF HAPPY
Bridgestone Multimedia Group


BEST CURRICULUM

GOLD CROWN AWARD


TOWARDS BELIEF
Vision Video

Silver Crown Award


ALPHA YOUTH FILM SERIES
Daniel Stewart

Bronze Crown Award

PROVERBS
Good News Productions International
 

BEST YOUTH FILM


GOLD CROWN AWARD


THE MIRACLE OF MOSES: STEVIE’S TREK TO THE HOLY LAND
OR Productions

Silver Crown Award


TOUCHED BY GRACE
StoneTable Films

Bronze Crown Award

ALPHA YOUTH FILM SERIES
Daniel Stewart


BEST STUDENT FILM

GOLD CROWN AWARD


CALENDAR IN THE CELL
Melissa McCormick
Regent University

Silver Crown Award


A DOCUMENTARY
Zachary Sheldon
Geneva College

Bronze Crown Award

NO COMPROMISE
Philip Neves
Bob Jones University

   
BEST CHURCH CLIP

GOLD CROWN AWARD


HERE IN THIS PLACE
Side By Side Films

Silver Crown Award


MARIA
Dianne Becker

Bronze Crown Award

WHIRL:  “BURT”
Sparkhouse


BEST DOCUMENTARY UNDER $50,000

GOLD CROWN AWARD


THE MIRACLE OF MOSES: STEVIE’S TREK TO THE HOLY LAND
OR Productions

Silver Crown Award


CORRIE TEN BOOM:  A FAITH UNDEFEATED
Vision Video

Bronze Crown Award
 
SUPERBOWL 48 HALFTIME SHOW
16:15 TV

  BEST DOCUMENTARY OVER $50,000

GOLD CROWN AWARDS


PATTERNS OF EVIDENCE:  THE EXODUS
Mahoney Media

Silver Crown Award


THE PINK ROOM
Vision Video

Bronze Crown Award

VEIL OF TEARS
Gospel For Asia


BEST INTERNATIONAL FILM

GOLD CROWN AWARD


TIM KELLER: 25 YEARS PASTOR IN NEW YORK
Zendtijd Voor Kerken

SILVER CROWN AWARD

MARIA
Dianne Becker

Bronze Crown Award

HIGH HOPES
José Bonavita
  BEST SHORT FILM

GOLD CROWN AWARD


HERE IN THIS PLACE
Side By Side Films

Silver Crown Award


FOSTER CARE
Cross Wind Productions

Bronze Crown Award

MARIA
Dianne Becker
  BEST SERIES

GOLD CROWN AWARD


ALPHA YOUTH FILM SERIES
Daniel Stewart

Silver Crown Award


PROVERBS
Good News Productions, International

Bronze Crown Award

WHIRL:  “BURT”
Sparkhouse


BEST TELEVISION FORMAT

GOLD CROWN AWARD


THE PINK ROOM
Vision Video

Silver Crown Award


TORCHLIGHTERS:  THE CORRIE TEN BOOM STORY
Vision Video

Bronze Crown Award

COME FOLLOW ME
Vision Video



BEST DRAMA UNDER $250,000

GOLD CROWN AWARD


CHRISTMAS ORANGES
Bridgestone Multimedia Group

Silver Crown Award


COME FOLLOW ME
Vision Video

Bronze Crown Award

FOR LOVE’S SAKE
Vision Video

 BEST EVANGELISTIC FILM

GOLD CROWN AWARD


COME FOLLOW ME
Vision Video

Silver Crown Award


SUPERBOWL 48 HALFTIME SPECIAL
16:15 TV

Bronze Crown Award

THE MIRACLE OF MOSES:  STEVIE’S TREK TO THE HOLY LAND
OR Productions

 
  PRESIDENT’S AWARD

DONALD LEOW

  BEST PICTURE
 GOLD CROWN AWARD

PATTERNS OF EVIDENCE:  THE EXODUS
Mahoney Media

Silver Crown Award


THE PINK ROOM
Vision Video

Bronze Crown Award

TORCHLIGHTERS:  THE CORRIE TEN BOOM STORY
Vision Video


Wednesday, July 2, 2014

Sidewalk Singer: An Interview with Alan Maki


  
Tell us a bit about your background and interests.
I graduated from Eastern Michigan University with a degree in English Literature.  After teaching and coaching in a junior high and a high school for six years, I became a church youth minister and a Youth For Christ Campus Life director.  I was blessed to win a Jefferson Award for outstanding public service for my youth work in Montana, and a church asked me to become their pastor.  I'm currently serving my third church as a pastor and have been married for 34 years with three grown children and two grandchildren.  I enjoy golf and bow hunting, and I've run three marathons and rode a bicycle across America.     

You have done a variety of unique things over the years. Tell us the story about your Guinness World Record.
While teaching at a junior high school in Upper Darby, Pennsylvania, a couple of teachers were organizing their annual charity drive for crippled children, blind children, and kids with cancer.  On the creative side of things, no one was coming up with any good ideas, so I was asked if I could help.  Providentially, someone had left a Guinness Book of World Records on my desk, so I thumbed through the pages and came upon "Balancing on One Foot," where the current record was 7 1/2 hours.  Once a foot was raised from the floor, the challenger was not allowed to put the foot back down and there were no periods of rest at all.  I found the charity director in the hallway and told him I'd give the record a shot.  He said I was crazy, but he had no other ideas and we went for it. 

I lifted weights, including lots of legwork, for the next three weeks as word of my quest spread throughout the community via the local media.  I practiced standing on one foot a half dozen times while watching television in the evenings, and my longest stand was just over an hour.  All kinds of monetary pledges were made by students, teachers and parents for each hour that I could stand without touching my lifted foot to the floor.

The night before the event and feeling apprehensive, I flipped through the Bible, and while the pages were flying by, I spontaneously jabbed my finger down on a page.  My eyes fell immediately on these words from Matthew 7:7, "Ask and it will be given to you; seek and you will find; knock and the door will be opened to you.  For everyone who asks receives; he who seeks finds; and to him who knocks, the door will be opened."  Overwhelmed, I dropped to my knees beside my bed and asked God to give me the strength to balance on one foot for at least two hours, and longer than that if He be willing.

The next afternoon, after teaching all day, I carried my Bible into the school gymnasium where surprisingly more than 1200 students, teachers, dignitaries, and newspaper reporters awaited my arrival.  At 3 p.m. sharp, with my Bible at my feet, I raised my right foot and began balancing on my left foot, a painful and formidable feat which lasted until 11:05 that night.  I called it quits and dropped to the floor after 8 hours and 5 minutes, breaking the world record and raising twice the monetary goal of the charity.  My left heel hurt so much that I was forced to use crutches for the next five days, but I'm grateful that my foot totally healed and the event helped a lot of needy children.  Also, my students learned a lesson that God can give us His strength to accomplish the "impossible."      

You have written several novels. Where did your love of writing begin?
When I was nine years old, I began writing and I wrote my first song titled "On the Bluegrass Mountains of Kentucky."  At age ten, I hurried home from school each day to write on my book of short stories which ended up being 400 pages.  I was inspired to write from my love of reading Walter Farley's books, including The Horse-Tamer, The Island Stallion, and The Black Stallion series of books.  Also, one of my high school English teachers happened to jot on one of my creative writing assignments, "You should keep this up.  Something may become of it."  Greatly encouraged, I kept writing.

How does a Pastor have time to write books and make movies?
I've served as a pastor for three churches over the past 27 years.  All of the church members have been acutely aware of my creative inclinations, and all (almost!) have been very supportive of me.  I've written dozens of contemporary Christian songs, for instance, that we've sung repetitively during church services to the delight of the congregation.  Also, my respective churches have numbered between a hundred and two hundred-plus people, enabling me to have a bit more time for enriching, personal endeavors than, say, a church of five hundred or more may offer.  Each of my congregations graciously have allowed me to "be who God made me" and maintain a full yet flexible schedule in which I have time to write or film or attend creative events.     

What inspired the idea for Sidewalk Singer?
The idea to make "Sidewalk Singer" took place at an empty swimming pool in Concord, California on April 26, 2009.  I was sitting there alone, having written hundreds of songs on my guitar and getting two Christian novels published by B&H Publishing in Nashville, and I contemplated seriously about using my writing and songwriting abilities to make a movie.  After some soul-searching, I prayed to God that He would give me the skills to write the screenplay and music, to produce the film, and direct and do the cinematography if necessary.  It was one of those "Me and You, God" moments!  I even asked Him to help me act the lead role, since I had been a pastor for years and rather boldly believed I was capable of doing a good job of acting.  I also believed many of the talented members of my church congregation would be there to help me wherever needed.  After the prayer, I felt a sense of peace and confidence, and I became determined to pull off this "miracle."

How was the film made….How did you raise funds, find crew and talent etc?
The answer is most amazing.  A fabulous musician and composer named Kent Marcum, who has written lots of songs for Oprah Winfrey, Dr. Oz, CBS and the Weather Channel, listened to my movie songs and decided to work with me as my music supervisor for no upfront cost.  Jeff Thomas, who had directed two feature length films and won numerous Telly Awards, read my screenplay, which had received “Five Doves all the way” from The Dove Foundation, and joined the project on faith and a handshake.  When news broke locally about this three-man creative team and the forming of Panting Deer Productions, LLC, seven or eight different people approached me and asked to read the script, then miraculously offered and invested many thousands of dollars apiece without ever being asked. 

Encouraged, Jeff and I stepped out in faith and locked in the dates for shooting the movie, even though we had accumulated only 50% of the budget.  Jeff received commitments from several crew members with whom he had previous experience.  We held numerous local auditions and locked in the actors, many of which came from my church and my own family, which kept costs low.  And remember, I played the lead role myself, so there was a lot riding on my performance, a huge challenge which I definitely had to meet in order for the film to be a success. 

Amazingly, most of the remaining 50% of the budget rolled in through another seven or eight investors during the two weeks leading up to the shoot, and those people weren’t approached, either.  They just came forward, pretty much out-of-the-blue.  How’s that for funding a film?

Making the movie was really fun because the people of Tecumseh got caught up in the excitement.  They weren’t accustomed to this kind of thing, so it was a special and unique event that brought a lot of attention to a beautiful small town.  We garnered the full support of the City Manager, City Hall and the Police Department.  Nine local restaurants, along with First Baptist Church, donated and prepared free meals every day for the cast and crew.  Several businesses gave permission for us to shoot scenes at their establishments.  Most of this would have cost a pretty penny in New York or one of the entertainment hubs, but it all came to us for free.  The generosity enabled us to complete the movie within our budgetary constraints.

What advice would you give people who are endeavoring to make films in a church/volunteer context?
I am living proof that it can be done, though I admit right up front that having a completed film is a big dream and a big deal, which is not easy to achieve.  It’s almost like all the stars have to line up perfectly, all kinds of good fortune has to come your way, God has to open all the doors, and then you still have to get noticed by the right people who believe in your project.  With all the odds stacked against all these things happening, you have to have a strong conviction and total belief, or don’t even begin the journey.  Ultimately, you have to “just do it,” believing that good things will happen in the end, but make sure you devise a detailed plan that keeps you on track and gives you clear-cut direction.  Also, your chances greatly improve if you can surround yourself with good, hardworking, talented people who will fill all the holes and help to make you and your project better, and most of them agree to do it "for free!"          

In making a church-produced film, you need to achieve excellent production value and shoot for high standards of filmmaking.  Christian/church filmmakers must not strive just to "put out a film;" they must set standards of excellence that a vast audience will appreciate.  Watching a poorly filmed or poorly acted movie does not score points with any audience, neither secular nor Christian.  Since churches and Christians represent Jesus Christ to the world, we must represent Him well and give Him the best, making movies that "get outside the walls of the church" and reach the masses with a life-changing message involving our Lord and Savior.

Given the themes of Sidewalk Singer, how would you counsel people who have suffered loss and who are struggling with bitterness?
First, I'd tell them to watch "Sidewalk Singer" and read my novel, "A Choice to Cherish"!  Just kidding, but not really!  I happily report that those two entities actually have ministered to many individuals and families in the areas of dealing with loss and bitterness.  Along with that self-endorsement, let me say that everything I've written over the past several years has dealt with those areas of life, which has surprised and amazed me as I looked back.  As a pastor, I've counseled so many people concerning these subjects that I guess I'm deeply touched by these human conditions to the point that it's just natural for me to include these themes in my writing.  I feel like I've come to know the heart of a man, so I continue to find myself writing in such a way as to capture a real, down-to-earth sense of recovery and redemption for the human soul.  My simple answer, then, is to writing something that matters and will affect many lives.  Of course, attempting to adequately explain how to deal with loss and bitterness is far too great a subject for me to expound upon here.  Let me just say this, that anyone beginning to face a great loss or a bitter struggle should first cling to Almighty God and study His Word.  In all of my real-life experiences in walking with people through loss or bitterness, those who realize they need to lean on Jesus have a far more successful journey than those who do not.  In fact, the main character in "Sidewalk Singer" is Kris Kivi, who "tried" it without Jesus for a while but soon discovered that he needed to come back to Christ in order to handle the loss of his family and to forgive the man who caused the fatal accident.       

What are your hopes and plans for the future (future books, movies etc)
My next project is a faith-based movie titled "Mr. What."  Again, I wrote the screenplay and have the lead acting role in the film.  This time, however, I'm working with my son Shaun, a 30 year-old budding filmmaker who has done a stunning job as director and cinematographer of this movie.  Shaun is currently deeply involved in the editing, audio, coloring and Foley work with the film.  I believe "Mr. What" will meet the pre-described high standards for Christian filmmaking.  Also, I've written another screenplay for future consideration, along with the possibility of turning one of my novels, "A Choice to Cherish," into a movie.

Shaun and I have formed a new production company, Sun and Paw Films, LLC, under the umbrella of Panting Deer Productions, LLC.  My hopes are centered around continuing to "team up" with Shaun for future projects, as his wonderful talents "fill in all the holes" and make my chances better than ever. 

Anything else?
As a Christian writer/filmmaker, it has been impressed upon me that I should write things that matter and resonate and connect with people.  The work needs to touch the human heart in some fashion, and that means the heart of every John Doe, the next-door neighbor, the mail man, the housekeeper, the caregiver, the family, you name it.  There are enough works out there that seem to have no redemptive value at all; in fact, some endorse sin and affect great harm.  Since I am a believer and an ambassador of Jesus Christ, I want to speak with a redemptive, Christ-like, conciliatory voice.  It's a privilege to have the opportunity to wholeheartedly attempt to create such beautiful, meaningful works.

Monday, April 28, 2014

Envision - National Dialogue on Pornography

Like Envision - October, 2013 - She's Somebody's Daughter! on Facebook

New Campaign Aims to Start National Dialogue on Pornography

67% of young men and 49% of young women say that pornography is an acceptable way to express one's sexuality. In reality, the women sexualized in marketing, pornography and sex trafficking are real people...in fact, they are somebody's daughter. Somebody's Daughter is a movement initiated by concerned parents and groups who are committed to creating a national dialogue about pornography, and its role in driving demand for sex-trafficking and violence against women and children. The campaign officially kicks off on October 1st in Oklahoma City. Oklahoma Governor, Mary Fallin has declared it She's Somebody's Daughter Day and on that day the first of what is hoped to be many billboards will be unveiled to promote the message. The organizers invite the public to visit the SSD website and blog and interact on the topic via Facebook and Twitter. As the distributor of the DVD, Somebody's Daughter Vision Video is proud to offer our support to this very important campaign. We pray that the dialogue will spread like wildfire throughout the country and that the true story of pornography's impact will be heard.

Vision Video to Sponsor Churches Making Movies Festival
Like Envision - October, 2013 - She's Somebody's Daughter! on Facebook

Due in part to the incredible success of Facing the Giants, Fireproof and Courageous, films produced by Sherwood Baptist Church stating in 2007, many other churches have jumped into the director's chair. Now the movement has its own festival. The 1st annual Churches Making Movies Festival will take place October 11-13 in Clark, NJ (just outside the Big Apple.) Featuring dramas, documentaries and shorts primarily produced by churches. The goal of the festival is to "harness the power of film to impact culture" as well as to equip and train church-based film-makers in the art and craft of film production. Vision Video is pleased to be one of the sponsors of this event. Two of our programs will be screened at CMM. The Watchers: Revelation, a church produced sci-fi thriller with a biblical message about the spiritual realm will have its world premiere on October 12th. And For Love's Sake, a Vision Video/True Films drama dealing with mental illness in the church and the importance of family will have it's North American premiere on October 13th. Click here for more info.

Bill Curtis Honored with ICVM President's Award
Like Envision - October, 2013 - She's Somebody's Daughter! on Facebook

Gateway Films/Vision Video President and General Manager, Bill Curtis was presented with the President's Award at the annual International Christian Visual Media Conference held in St Louis in June. ICVM President, Brad Mix presented the award, citing Curtis's honesty, humility and integrity. Curtis, say's he was "shocked and speechless" upon hearing the news. Bill Curtis has been integrally involved in the Christian media field for over 30 years and assumed the leadership of Vision Video after his father, Vision Video founder, Ken Curtis passed away in 2011.



  Bill Curtis speaking at the annual ICVM conference.